2010 Oscar Predictions
Article by
Terry Plucknett
Posted - 1/25/10
Many of these nominations are pretty set in stone.
The main competition will come in the second five Best Picture
nominations.
With that
said, let’s see what the shakedown is.
ADAPTED SCREENPLAY
District 9
An Education
Invictus
Precious: Based on the Novel Push by Sapphire
Up in the Air
Projected Winner: Up in the Air
There is no way
Up in the Air doesn’t win
this.
If by some miracle it
doesn’t,
Precious is the only
thing that could take it down.
District 9 seems to be
the most vulnerable of the picks, but this should be where they honor
this critical darling.
ORIGINAL SCREENPLAY
(500) Days of Summer
The Hurt Locker
Inglourious Basterds
A Serious Man
Up
Projected Winner: Inglourious Basterds
This race is very much different than Adapted
Screenplay.
It will be a
shock if something else were to crack this top five, but really any of
them could win.
I am
picking my winner based on the idea that it is never a good idea to bet
against Quentin Tarantino, and he isn’t going to win Picture or
Director.
However, with
The Hurt Locker being a Best
Picture favorite, it is a close runner up.
Counting out the Coens at the Oscars is almost as stupid as
counting out Tarantino (maybe even more so), so it wouldn’t be a huge
shock if
A Serious Man went
home with the statue.
Pixar
films have been awarded in this category before so
Up is in contention too.
The only one that would be a shocker to win is
(500) Days of Summer, but it
is a critical darling that could be a crowd favorite underdog.
SUPPORTING ACTRESS
Penelope Cruz – Nine
Vera Farmiga – Up in the Air
Anna Kendrick – Up in the Air
Mo’Nique – Precious
Julianne Moore – A Single Man
Projected Winner – Mo’Nique
This is Mo’Nique’s world, the other four are just
living in it.
Kendrick and
Farmiga are locks.
Cruz’s
position is fairly strong, even though it was a weak movie.
I think the only thing that could kick her out is if the Academy
considers Marion Cotillard’s performance in
Nine as supporting.
If so, she outshined Cruz in the movie and could do the same at
the Oscars.
Julianne Moore,
Cotillard, Samantha Morton, and Maggie Gyllenhaal are battling it out
for that last spot, but I chose Moore simply for her prior résumé and
recognition.
It’s really a
very fluid spot though.
SUPPORTING ACTOR
Matt Damon – Invictus
Woody Harrelson – The Messenger
Christopher Plummer – The Last Station
Stanley Tucci – The Lovely Bones
Christoph Waltz – Inglourious Basterds
Projected Winner – Christoph Waltz
I really don’t see how these five can be anything
different.
However, this is
the category where some completely out of nowhere nominees have come up
in the past (William Hurt for
A
History of Violence and Mark Wahlberg for
The Departed to name a few)
so you never know.
Who have
the best shot at being the random picks of this year?
Three names I would watch for to shock on nomination morning are
Anthony Mackie for
The Hurt
Locker, Richard Kind for
A
Serious Man, and host Alec Baldwin for
It’s Complicated.
It doesn’t really matter though.
Waltz has this one wrapped up.
ACTRESS
Emily Blunt – The Young Victoria
Sandra Bullock – The Blind Side
Carey Mulligan – An Education
Gabourey Sidibe – Precious
Meryl Streep – Julie & Julia
Projected Winner – Meryl Streep
This is a very weak year for actress.
Meryl is going to win this Oscar simply because there is not
really another performance that stands out enough so give it to the
actress that stands out above them all in anything.
The only thing that can stop Meryl from winning for this
performance is if she is nominated for
It’s Complicated instead
similar to what happened to Kate Winslet last year.
If this happens, she still will probably win, but it would make
the race a little more interesting.
Emily Blunt’s spot in the fab five is the only one that is not a
lock.
ACTOR
Jeff Bridges – Crazy Heart
George Clooney – Up in the Air
Colin Firth – A Single Man
Morgan Freeman – Invictus
Jeremy Renner – The Hurt Locker
Projected Winner – Jeff Bridges
No one else is cracking this top five, just like no
one is going to take this Oscar away from Jeff Bridges.
That is all there is to say.
DIRECTOR
Kathryn Bigelow – The Hurt Locker
James Cameron – Avatar
Clint Eastwood – Invictus
Jason Reitman – Up in the Air
Quentin Tarantino – Inglourious Basterds
Projected Winner – Kathryn Bigelow
There has never been a female director that has won
an Oscar, but this may be the movie that wins one for the ladies.
If not, look for James Cameron to take home another statue and be
King of the World once again.
The only spot not certain in this five is Clint, but it has been
a few years since he has been honored.
That either means he is due, or the Academy is sick of him.
If the latter is true, look for Lee Daniels to take that final
spot for
Precious.
PICTURE
Avatar
An Education
The Hurt Locker
Inglourious Basterds
Invictus
Nine
Precious: Based on the Novel Push by Sapphire
A Serious Man
Up
Up in the Air
Projected Winner – Avatar
As I said before, the biggest fight for a
nomination is between the second five nominees for Picture.
If you think about it, the Academy’s intent on switching the
nominees to ten has worked and yet has not.
It has worked by putting some intrigue in an otherwise
predictable nominee list.
However, it hasn’t worked because the reason there is a race for the
bottom five picture nominees is because there aren’t ten movies with
résumés worthy of being called a Best Picture nominee.
With that said, the weakest of the nominees are
Nine and
An Education which could be
passed by the likes of
The Last
Station,
Star Trek,
The
Messenger, or
District 9.
As you look up and down this list, it does not necessarily scream
mainstream.
The reason the
Academy expanded to ten Picture nominees is to allow for more mainstream
movies to make the list.
The only problem was this year many of the mainstream movies were no
good.
That is why I think
Avatar will win Best Picture.
In a year missing the quality in the blockbusters like we had
last year, the Academy will want to justify their decision of expanding
the number of nominees.
The
best way to do this is award what may end up as the highest grossing
movie of all time.
The race
for the win at this point is really a toss-up between
Avatar and
The Hurt Locker, but the
Academy’s desire to save face after a failed experiment at expanding the
nominees will reign supreme.
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