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Observe and Report
(2009)
Directed by
Jody Hill
Review by
Todd Plucknett
The Jody Hill film
Observe and Report is a
sporadically hilarious, sometimes deep, yet always quite silly comedy
that fades away in the memory of the audience after a couple days. There
were certain elements of the film that worked incredibly well, but there
were several times when it really belittled itself when it really
digressed into a formulaic slapstick comedy. That is not to say that I
hated it. It still pulls several laughs out of the audience, almost all
of them having to do with the recently busy Seth Rogen.
The film centers on Ronnie Barnhardt (Rogen), a
bipolar mall security officer who takes his job very seriously. His
partners are Dennis (Michael Pena), Charles (Jesse Plemons), and the
Yuen twins (Matt and John Yuan). They are obsessed with catching a
flasher at the mall who recently flashed more than a dozen women in the
parking lot. Ronnie feels it is his duty to catch this guy, and he will
stop at nothing to protect the shoppers (think Travis Bickle as a mall
cop). Meanwhile, Ronnie encounters several people in the mall. His dream
girl is Brandi (Anna Faris), who is incredibly stuck up, your average
blonde bombshell snob. Ronnie is always capitalizing on his free coffee
from the food court, while subconsciously flirting with Nell (Collette
Wolfe), one of the workers. Ronnie is also trying to keep the police
department off his case, because he wants to accomplish something on his
own and get full credit for it.
Ronnie also would never want to admit it, but he
wanted to become a police officer, if for no other reason than to show
Detective Harrison (Ray Liotta), the officer who took over his mall
investigation, that he can actually do it. He noticed that cops are the
ones who get all the credit and are taken seriously, and they get to
carry something other than mace and tasers. He wants to impress Brandi
and Harrison, while keeping his ambition to become a cop secret to not
offend any of his security guard friends.
The movie really would not be what it is without
the stellar cast. Seth Rogen gives this role everything he has. I cannot
see anyone else truly capturing all the idiosyncrasies of Ronnie as well
as him. Anna Faris does a credible job, but she cannot really rise above
the surface of her clichéd character. Michael Pena brings some of the
biggest laughs in the film. Ray Liotta is brilliant. No one breaks down
quite like he does. Collette Wolfe is fine, but there is no excuse for
Kristen Wiig not being cast in that role. The other supporting roles are
well played, especially the great Celia Weston, playing Ronnie’s
alcoholic mother, and Danny McBride in the film’s most hilarious scene.
The main problem with the movie is that it is not
that particularly well written. I understand what the movie is trying to
say. It is saying something about relishing in being an everyman and not
romanticizing authorities.
I get all that. It has been displayed in movies countless times.
Invincible is one that
immediately comes to mind. The problem with
Observe and Report is how it
arrives at this conclusion. There is nothing truly authentic about the
movie. Everything can be predicted within the first half hour of the
film. There are very few surprises, with the exception of one hilarious
shocking moment at the very end of the flick. Most of it is just a
cliché.
That is not to say it is not funny, though. There
are dozens of side-splitting one-liners and quirks by Rogen. The problem
is that writer-director Jody Hill was not really in control of the
film’s tone. It starts out very good, but there were several spots in
the middle where it seemed to drag (and the film was only 86 minutes).
It really reduces itself to slapstick humor in the end, which is fine,
except for the fact that Rogen is not a slapstick actor. I am assuming
that is what
Paul Blart: Mall Cop
was about, which probably worked with Kevin James in the lead role. That
is not what Rogen is about. Rogen is a comedian of awkwardness and
timing. It almost reminded me of
Mallrats, when the film became a very conventional action film and
really killed its chances of having any sort of credibility.
In the end, this is just a forgettable comedy. It
has several moments that will make the audience crack up, but nothing
that will really stick with them after the credits are done rolling. It
is worth seeing for Rogen, but that is it. I am assuming that it was not
as bad as
Paul Blart, but it
probably hurt its box office. I went to a primetime showing on opening
night, and the theater was less than a quarter full. The trailer did not
do it justice either. If the last thirty minutes had been handled
differently, this could have been a more serious comedy. Rogen does his
best here, but he cannot make it rise above the status of mediocre
stupid comedy.
Rating:
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